Wednesday 30 January 2013

Lecture Notes - 30/1/13


The Hero In Children's Books

Warwick Goble – Jack and the Beanstalk
Teenager – often shown as young boy
Journey! - underprivileged, throughout journey completes tasks and transforms
Cultures have their own versions of this story
Fee fi fo fum etc
Has help given to him by the the giant's wife – a woman
Gold egg laying goose

Grimm's fairy tales are very dark, were cleaned up by the victorians
Roald Dahl tried to have dark stories

Gustaf Tenggren – Tom Thumb
Youngest of several children – seen as weak, has to prove his place in the family
Gets abandoned in the forest with bros and siss by neglectful parents
Retraces his steps using breadcrumbs
An ogre's house – ogre smells fresh meat, very primal/otherworldly?
Takes the ogre's boots – contain some of the ogre's power
Child may be too young to understand some of the deeper themes and meanings
Tom rescues the ogre's daughters, gets help from ogre's wife (a mother figure).
There are good people or bad people, no in-between.
Goes through a transformation to a powerful character

Ed Bryan (Nosy Crow Publishers) – Cindarella
Female characters are usually weak or victims – cindarella is a rare female protagonist.
Step mum and sisters are jealous of her beauty and turn her into a slave.
Ahead of its time, containing a blended family which is a contemporary story theme.
Passive – waiting for her prince to come and rescue her.
Links between this and matilda – nasty family who doesn't appreciate her. Matilda is an empowered child who saves herself, however.

Ann Sexton – feminist poet
Guardian article by Adam Philips who points out that the fairy godmother is the person who helps, and the people holding cindarella back were female.

Winnie Fitch – Red Riding Hood
Nobrow and 50-60s aesthetic. Lithography print. Working with texture and limited colour.
LRRH, hero, goes on a journey. The wolf is a metaphor for a sexual predator. Very contemporary issue. Predatory man.
Red is associated with sexuality and passion, her journey is into puberty (woods are the unconscious, where one becomes more mature and knowledgable).
Red hood is a symbol for a prostitute, in 1700 France in particular.
Is rescued at the end by the woodcutter, but in some older versions she does not get away.
Gustave Dore illustration of her in bed with the wolf.

Herge – Tin Tin
Young reporter, in comic books, based on Herge's ideas as an inventor. Snowy the dog is his companion. Has freedom to travel anywhere, has no family.
Scott McLeod – tintin stories allow readers to mask themselves with tintin and allow themselves to safely enter a sensually stimulating world.
Tintin is a gentleman. Always comes out on top.

W.E. Johns – Biggles
Stories about a pilot's adventures, graphic novel. As he grows and matures, his role changes. Becomes an astronaut. Authority from the author's life as a pilot

Where The Wild Things Are – Maurice Sendak
Sent up to bed, bedroom becomes a jungle. Child (Max) goes through transformation. Much smaller than the animals he finds, who are a metaphor for either parents or the child's unheard anger. Child has power over these Wild Things. Overpowers by staring at them. He is their king. Way for a child to work out anger. Banned from many school libraries for a while because they were seen as encouragement to disrespect parents and authority.

John R Neill – Little Black Sambo
Racial stereotypes were normal in the 60s. Cultural terms, were used without question. Character is very powerful, negotiates with lions to avoid being eaten. Gives them his umbrella and clothes. They fight over the clothes and turn into butter...
C Carey Cloud, 1934 – same book, character is a caricature of a black person. Black face and red lips.
Story of Little Babaji – Fred Marcellino – updated version, looks more like a real life child who lives in India.
Barefoot Book of Earth Tales – Anne Wilson

Devon and Cornwall are so white.

Elephant Dance – Sheila Moxley
Stories about british child's heritage in a different country/culture. 1st/2nd generation immigrants.

Mia's Story – Michael Foreman
South american girl in extreme poverty. Dad brings home a small dog, who escapes and runs into the mountains, so Mia goes into the mountains on a horse to find the dog. Finds pretty stuff, white flowers (symbol of hope). Comes from a difficult background, and sees that things are hopeful and nice if you want them to be.

Pretty Salma – Niki Daly
African LRRH story. Meets wolf on the way to market. Manages to outwit him, positive female character.

Lost and Found – Oliver Jeffers THERE'S AN ANIMATION
Story about friendship between a boy and a penguin. Takes the penguin home but misses him.

Babar – Jean de Brunhof
Babar is a normal elephant in the jungle, and is camptured, acquires clothing and learns to stand upright, metaphor for colonialisation. Ariel Dorfmann has written a scathing critique of this book and what it represents. Herbert K Kohl and Vivian Paley also thought it was offensive and tried to defend colonialism.
The Empire's New Clothes (Dorfmann) has also written about donald duck and mickey mouse.

BeeguAlexis Deacon
Story about an alien, representing an outsider, for weird children to identify with when they don't feel they belong to a group. She looks weird because she's an alien, but eventually finds some friends who accept her. Eventually, her mother comes to find her and save her.

Melrose and Crock – Emma Chichester-Clarke
A sausage dog and a crocodile being friends lol

Charlie and Lola – positive female character, story about a brother and sister being friends aww

Wizard of Oz – WW Denslow
Dorothy is a strong female character – archetype of good witch and bad witch, represent good and bad mothers. Children can't see people as both good and bad, have to be one or the other.

Stone Girl Bone Girl – Sheila Moxley
Story about a rare female archaeologist, disproving the creation myth.

Pippi Longstocking – Lauren Child (charlie and lola lady)
Strong fem character for the time she was made, reimagined by lauren child. Does boy things, is assertive and has superhuman strength. Saves contempt for pompous adults. “strength of ten policemen” but is not violent.

Matilda – Quentin Blake

Tuesday 22 January 2013

Noma Bar

Noma Bar was born in Israel, 1973, and studied graphic design & typography at Jerusalem Academy of Art & Design. His caricatures are often commissioned for editorials, such as magazines, and has been shown on TV. I have an interest in political and editorial illustration, and his portraits of political figures are incredible.





This image of Osama Bin Laden was a personal piece, as he would not be allowed to use this kind of imagery for a commission. This demonstrates the power in his work - nothing more than blocky shapes was considered by the artist to be too shocking. His work also shows fluent use of negative space - the relationship between the turban and the towers is invisible, but seen by the viewer through the suggestion by the shapes and what we expect from the person's face.








This image of Margaret Thatcher, at the time the leader of the Conservative Party, describes the internal struggle the party was experiencing at the time. The party was previously known as the Tory Party, with a flaming torch as its logo. Bar used this retired logo as Thatcher's nose, and edited it so the flame is smouldering in the image. The incredibly simple graphics carry a lot of meaning, and considering that Bar grew up in Israel, describes the politics of a foreign nation excellently.













I enjoy the simplicity of this image, which does not contain any conflict, simply marrying together two concepts (night and sleeping) for an easy-to-digest image about the broad subject of sleep.

Sunday 20 January 2013

Lecture Notes - 16/1/13

"What links can be made between contemporary illustration, art history and past culture?" - essay question
Ideas

  • Editorial/political illustration - Steve Bell, Trog, etc
  • Small press illustration - Nobrow, B9, zines, etc
  • Animation - films, shorts, stop motion, 3D/Pixar, etc
List of mentioned illustrators

  • Spike Gerrel
  • Glen Baxter
  • Paul Blow
  • Edel Rodriguez - oppression
  • Brad Holland - metaphor
  • Ian Whadcock
  • Brian Grimwood - postmodernist
  • RenĂ© Magritte - surrealist
  • Jung, Freud 
  • Abram Games - propaganda
  • Matthew Cook
  • Laura Carlin
  • Victor Ambrus - history, folklore
  • Laura Knight
  • Russell Cobb - anatomical, decorative, informative
  • Craig Foster - DNA
  • Peter Grundy - infographics
  • Harriet Russell - map 
  • Ravenna Mosaics - Jesus
  • Greek pots - tell stories
  • Hokvsai - printmaker
  • John Singer Sargent - fashion
  • Aubrey Beardsley 
  • Moebius
  • Asaf and Tomer Hanuka
  • Windsor McCay 
  • Bayeux tapestry - 1066 Battle of Hastings - sequence
  • William Hogarth - first political cartoonists, Gin Lane
  • Peter Brookes - political cartoonist
  • Foz - grafitti
  • French cave paintings
  • Lucy Mclaughlan
  • Charlotte Mann - backdrops
  • Krisjana Williams
  • Sara Fanelli
  • William Morris - surface designer
  • Kathe Kollwitz - WW2 printmaking
  • John Tenniel - 1800s, Alice in Wonderland
  • Kathy Greenway - sweet, sickly paintings of children 
  • John Martin 
  • Jogn Minton
  • Chaucer
  • Eva Tavecha
  • Russell Cobb


Internet - illustrations happen there
Can be defined by conceptual approaches or recognised by genre and area of application.  Illustration is getting more popular. Sometimes defined by stylistic approach (we're taught Bauhaus style).
Images can be used to convey information
Propaganda - Russian constructivism, communists, bold graphics, colour, impact

Illustration can be narrative or text based to document sequences. Reportage, topographical illustrations.
Documentation can take different forms - pictograms. Psychogeography.

Image and text - sequence and movement.
Illustration as a social tool - influencing politics as social history. Application influenced by technology and politics/social sitch. Function of illustration is linked historically.

Research 5 artists.